My personal arts practice is interdisciplinary, spanning performance, installation and image making that delves into the politics of self, power, autonomy and gender. I am interested in how identity is constructed, challenged and performed—both publicly and privately. Drawing on lived experience, critical theory and playful performance practices, my work explores the tension between agency and expectation, Beauty and Horror.

I am drawn to the absurd, the surreal, dream logic, symbolism and theatricality as devices to reframe perception. My practice explores the eerie undercurrents of everyday life and the visceral materiality of the body—its vulnerabilities, contradictions and capacity for transformation.

Through performance, video, installation and site, I create atmospheres that are both unsettling and immersive. Using dialogues of tenderness against violence, intimacy against estrangement, elegance against distortion—I seek to reveal the tensions that shape lived experience. My process begins with mapping and imagining before production, aiming to generate affective, felt encounters rather than linear narratives.

Resisting easy categorisation, the work is situated between the real and the imagined, where identity, memory and power are constantly being re-scripted. Influenced by filmmakers such as David Lynch, Peter Greenaway and David Cronenberg, as well as artists like Nick Knight, Cindy Sherman, Leigh Bowery, Vivian Sassen, Matthew Barney and Marina Abramović, I draw on surrealist, dada, cinematic and performance traditions to create worlds that are at the same time disquieting while hopefully seductive.